treble choral anthem & piano
SSAA + soprano solo & piano score: price $2.00
(25 copy minimum order | minimum order total $50)
can be performed by TTBB + tenor solo & piano
A Carol to Our Saviour, a Child | Choral & Piano score
[score & part formatted for 8.5 X 11]
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catalog #: 058-0160
composer: Crystal Godfrey LaPoint
excerpted from the poem by: Robert Herrick
difficulty: moderate/advanced/professional treble voice choir
instrumentation: SSAA + soprano solo & piano
year of publication: 2026
@ duration: 3:30 minutes
ASCAP WORK ID: 934318815
copyright info: Copyright © 2026 Crystal Godfrey LaPoint
A Carol to Our Saviour, a Child

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Scroll down for partial score sample reader of this composition.
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Listen to the full-length, digitally-generated sound file of this piece. (A live performance recording was unavailable.) Such sound files lack the text, optimal dynamic balance, and many interpretive nuances. However, the pitch accuracy is 100%, and in combination with the perusal score, can give the listener a highly-representative impression of the composition.
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Complete lyrics are included to enhance your appreciation of the sound file, which is not a live recording.
A Carol to Our Saviour, A Child
[from the poem by Robert Herrick]
Go, pretty child, and bear this flower
Unto thy little Saviour;
And tell him, by that bud now blown,
He is the Rose of Sharon known.
When thou hast said so, stick it there
Upon his bib or stomacher;
And tell him, for good handsel too,
That thou hast brought a whistle new,
Made of a clean straight oaten reed,
To charm his cries at time of need;
Tell him, for coral, thou hast none,
But if thou hadst, he should have one;
But poor thou art, and known to be
Even as moneyless as he.
Lastly, if thou canst win a kiss
From those mellifluous lips of his;—
Then never take a second on,
To spoil the first impression.
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Composer’s comments:
When I first read this sweet verse by 17th century poet and cleric, Robert Herrick, I was enchanted by its unique voice, inviting the reader to imagine the Nativity through the innocent eyes of youth. The kindly speaker instructs a child — soon to meet the babe in a manger — about what to say to the infant King, while presenting Him with a blooming rose, a handmade toy, a pure heart, and humble adoration. In my setting, I sought to embrace the timeless, elegant beauty of the English choral tradition, which blends a deep affection for generations-old folk songs and reverence for the quiet dignity of Anglican liturgical music. I believe this Christmas anthem has a lilting, guileless grace, befitting the quaint text. In the spirit of the season, the listener is gifted with intricately-crafted rhythmic and harmonic treasures, delicately interwoven to create a heartfelt musical reflection of this inspiring glimpse at the Nativity.
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